Artheon MuseumArtheonMuseum

The Tender Husband

The Tender Husband by Thomas Rowlandson|Henry Brookes

Medium

Etching

Dimensions

Sheet: 7 5/16 × 10 5/16 in. (18.5 × 26.2 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959

Accession Number

59.533.196

Rights

Public Domain

Tags

BoysMenWomenSmokingDogs

Art Historical Context

**The Tender Husband** is a lively etching created by the renowned British caricaturist Thomas Rowland in collaboration with Henry Bro, dated July 28, 1786. Measuring 7 5/16 × 10 5/16 inches, this print captures a humorous domestic scene featuring boys, men, women smoking, and dogs, evoking cheeky satire for which Rowlandson was celebrated. Housed in the Metropolitan Museum of Art's Drawings and Prints department as part of The Elisha Whittelsey Collection, exemplifies the witty social commentary prevalent in Georgian-era Britain. Rowlandson, a master of exaggerated figures and absurd situations, drew from the vibrant tradition of 18th-century English caricature prints, often poking fun at everyday life, marriage, and gender roles. The title *The Tender Husband* slyly suggests a mockingly affectionate take on spousal dynamics, with smoking pipes and playful animal companions adding layers of mischief and relatability. Etching, the medium here, allowed for intricate line work and tonal effects through acid-etched copper plates, making these affordable prints hugely popular among London's middle classes. This artwork highlights the cultural boom of satirical prints in late 18th-century England, where artists like Rowlandson critiqued societal norms with sharp humor. Visitors will appreciate its timeless wit, offering a window into the lighthearted yet pointed observations of family life over two centuries ago.

About the Artist

Thomas Rowlandson|Henry Brookes · 1756–1827

Thomas Rowlandson (1757–1827) was an English artist and caricaturist whose satirical watercolors and prints captured the social life of Georgian Britain with unparalleled wit and technical mastery. Alongside James Gillray, he is recognized as one of the greatest British graphic artists, and his distinctive flowing line and keen observations have made his work integral to understanding late 18th an...

    Send Feedback

    We use this only to reply to your feedback.