Artheon MuseumArtheonMuseum
The Times by Thomas Rowlandson|George, Prince of Wales|S. W. Fores

Medium

Etching

Dimensions

Sheet: 12 15/16 × 16 15/16 in. (32.9 × 43 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959

Accession Number

59.533.18(a)

Rights

Public Domain

Tags

SatirePoliticsMenWomen

Art Historical Context

**The Times** is a lively etching by renowned British caricaturist Thomas Rowlandson published by S.W.ores in December 178. Measuring 12 15/16 × 16 15/16 inches, this hand-pulled print from the Metropolitan Museum of Art's Drawings and Prints department buzzes with satirical energy, poking fun at politics, men, and women amid Britain's chaotic late-Georgian era. Rowlandson's loose, expressive lines capture exaggerated figures in absurd scenarios, a hallmark of his caricatural style that made high-society follies accessible to everyday viewers. Created during the Regency crisis—when King George III's mental illness sidelined him and elevated his playboy son, George, Prince of Wales, as a potential regent—the artwork skewers the "times" with biting commentary on power grabs, scandals, and social hypocrisies. Etching's precision allowed for intricate details and affordable reproduction, fueling the explosion of political satire in 18th-century London print shops. This piece highlights satire's cultural punch: it didn't just entertain but shaped public discourse, mocking elites while delighting the masses. Part of The Elisha Whittelsey Collection, **The Times** invites us to laugh at history's absurdities, reminding visitors how art has long held a mirror to society's wild underbelly.

About the Artist

Thomas Rowlandson|George, Prince of Wales|S. W. Fores · 1756–1827

Thomas Rowlandson (1757–1827) was an English artist and caricaturist whose satirical watercolors and prints captured the social life of Georgian Britain with unparalleled wit and technical mastery. Alongside James Gillray, he is recognized as one of the greatest British graphic artists, and his distinctive flowing line and keen observations have made his work integral to understanding late 18th an...

    Send Feedback

    We use this only to reply to your feedback.