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The Tribute Money

The Tribute Money by Rembrandt van Rijn

Medium

etching on laid paper

Dimensions

plate: 7.3 × 10.3 cm (2 7/8 × 4 1/16 in.) sheet: 7.8 × 10.7 cm (3 1/16 × 4 3/16 in.)

Classification

Print

Department

CG-E

Museum

National Gallery of Art, Washington, D.C.

Credit

Rosenwald Collection

Accession Number

1943.3.7251

Rights

Public Domain

Art Historical Context

Behold Rembrandt van Rijn's *The Tribute Money* (c. 1635), a masterful etching on laid paper that captures a pivotal biblical moment from the Gospel of Matthew. In this intimate scene, likely depicting Jesus instructing Peter to pay the temple tax with a coin miraculously found in a fish's mouth, Rembrandt draws viewers into a moment of quiet revelation. Created during the Dutch Golden Age, when religious themes remained central despite Protestant reforms, the print reflects the era's blend of faith and humanism. Rembrandt, a Baroque genius renowned for his dramatic use of light and shadow (chiaroscuro), revolutionized etching with intricate line work and tonal depth. This small plate (7.3 × 10.3 cm) showcases his innovative technique: fine, hatched lines build texture and volume on laid paper, allowing affordable multiples while rivaling paintings in expressiveness. The modest sheet size invites close contemplation, emphasizing emotional intimacy over grandeur. Housed in the National Gallery of Art's Rosenwald Collection, this print exemplifies Rembrandt's printmaking legacy—over 300 etchings that spread his vision across Europe. For visitors, it's a window into 17th-century devotion and artistic brilliance, where faith meets technical wizardry.

About the Artist

Rembrandt van Rijn · 1606–1669

Rembrandt Harmenszoon van Rijn (1606–1669) stands as one of the greatest visual artists in the history of Western art and the most important Dutch painter of the 17th century. Born in Leiden to a prosperous miller's family, Rembrandt transformed painting through his revolutionary use of light and shadow, his psychological depth in portraiture, and his elevation of etching to a fine art. His approx...

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