The Virgin and Child seated on a pedestal at center, to the right a monk offers a flower, and in the foreground a saint kneels before them while Saint Lawrence rests his hands on a gridiron; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Pietro Antonio de' Pietri

The Virgin and Child seated on a pedestal at center, to the right a monk offers a flower, and in the foreground a saint kneels before them while Saint Lawrence rests his hands on a gridiron; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Pietro Antonio de' Pietri by Anne Claude Philippe de Tubières, comte de Caylus|Pietro Antonio de' Pietri|Nicolas Le Sueur

Medium

Aquatint imitating a chiaroscuro woodcut printed in green over etching

Dimensions

Sheet: 21 in. × 15 5/16 in. (53.4 × 38.9 cm) Plate: 16 9/16 × 9 9/16 in. (42 × 24.3 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Harry G. Friedman, 1960

Accession Number

60.708(136)

Art Historical Context

This exquisite print from around 1729 captures a tender devotional scene centered on the Virgin Mary and the Christ Child enthroned on pedestal. To the right, a monk presents a flower in homage, while a kneeling saint offers reverence in the foreground and Saint Lawrence rests his hands on the gridiron that symbolizes his martyrdom. The composition, originally drawn by the Italian artist Pietro Antonio de’ Pietri, was translated into print by Anne Claude Philippe de Tubières, comte de Caylus, and Nicolas Le Sueur. The work belongs to the celebrated *Recueil d’estampes d’après les plus beaux t...

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