Thomas Simmons

Art Historical Context

This hand-colored etching and stipple print, dated November 9, 1807, presents a profile portrait of Thomas Simmons. Created through a combination of etching for fine lines and stipple for soft tonal effects, the work was then delicately hand-colored to bring warmth and vitality to the figure. Such techniques were popular in early nineteenth-century Britain for producing affordable yet refined images that captured the likenesses of notable individuals. The print’s focus on profile views reflects a longstanding artistic tradition, often used in caricature and portraiture to emphasize character and silhouette. Likely connected to the circles of Thomas Rowlandson and Henry Angelo, both active in London’s lively print culture, the piece offers a glimpse into the social and artistic networks of the Regency era, when satirical and commemorative prints circulated widely among the public. Now part of the Metropolitan Museum of Art’s Drawings and Prints collection, this work highlights the enduring appeal of intimate, hand-finished prints as both personal mementos and cultural documents of their time.

About the Artist

Thomas Simmons|Thomas Rowlandson|Henry Angelo (British|British|British) · 1708 |1756 |1757 –1808 |1835 |1827

British, died 1808|British, London 1756–1835 London|British, London 1757–1827 London