Related Artworks
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Boar's Head Tavern: Prince Hal, Falstaff and Poins (Shakespeare, First Part of Henry IV, Act 2, Scene 4)
1825–40
Catherine of Aragon and Cardinal Wolsey (Shakespeare, King Henry VIII, Act 3, Scene 1)
1825–40
Aaron and Tamora (Shakespeare, Titus Andronicus, Act 2, Scene 3)
1825–40
Suffolk and Margaret (Shakespeare, King Henry VI, Part I, Act 5, Scene 3)
1825–40
Cordelia and King Lear (Shakespeare, King Lear, Act 4, Scene 7)
1825–40
Simonides and Thaisa (Shakespeare, Pericles, Act 2, Scene 2)
1825–40
Reverse copy of Maria Scotorv Regin et Franciae Dotaria
mid-to late 18th century
Monument of Mary, Queen of Scots (from "The History of England")
November 25, 1795
Mr. Macklin in the Character of Shylock, in Shakespeare's The Merchant of Venice
1775
An Emblematic Print on the South Sea
late 18th century
Mary, Queen of Scots
July 10, 1784
The Chinese Gardener
1741–63
More by William Hamilton
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The Conclusion of the Treaty of Troye, Where Henry the V, King of England, Receives the Princess of France in Marriage
1788
Prince Edmund, surnam'd Ironside and Algitha
1786
Hero Fainting in Church (Shakespeare, Much Ado About Nothing, Act 4, Scene 1)
first published 1789; reissued 1852
The Princess, Rosaline, etc. (Shakespeare, Love's Labour Lost, Act 4, Scene 1)
first published 1793; reissued 1852
Prince Arthur Giving Welcome to the Archduke of Austria, etc. (Shakespeare, King John, Act 2, Scene 1)
1791
The Resentment of Queen Catherine (Paul de Rapin, History of England)
1790
Woman Sheltering a Child in a Landscape
1770–80
Male Traveler in a Storm (recto); Anatomical Studies of a Foot (verso)
1770–80
Historical Subject with Men and a Boy Near a Ship (recto); Anatomical Study of a Foot (verso)
1770–80
Classical Military Subject
1770–80
A Soldier
1770–80
Amymone (?) with a Lecherous Satyr
1770–80