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Totomi Province: The Narrow Inlet of Inasa near Kanzan Temple on Hamana Lake at Horie (Totomi, Hamana no umi, Horie Kanzanji, Inasa no hosoe), from the series "Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)"

Totomi Province: The Narrow Inlet of Inasa near Kanzan Temple on Hamana Lake at Horie (Totomi, Hamana no umi, Horie Kanzanji, Inasa no hosoe), from the series "Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)" by Utagawa Hiroshige

Medium

Color woodblock print; oban

Classification

woodblock print

Department

Arts of Asia

Museum

Art Institute of Chicago

Accession Number

130540

Art Historical Context

Utagawa Hiroshige's *Totomi Province: The Narrow Inlet of Inasa near Kanzan Temple on Hamana Lake at Horie* (1853) captures a serene moment in Japan's Totomi Province, part of his renowned series *Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)*. This color woodblock print on oban paper depicts the tranquil inlet of Inasa near Kanzan Temple along Lake Hamana at Horie, blending misty waters, distant mountains, and subtle human figures in boats. Hiroshige, a master of the ukiyo-e tradition, immortalized overlooked provincial beauties during Japan's Edo period, when travel was g...

About the Artist

Utagawa Hiroshige · 18261869

Utagawa Hiroshige (1797–1858), born Andō Tokutarō, was the last great master of Japanese ukiyo-e woodblock printmaking and one of the most influential landscape artists in history. Born in Edo (modern Tokyo) into a low-ranking samurai family serving as fire wardens, Hiroshige transformed landscape printmaking into a poetic meditation on nature, weather, and everyday life. His revolutionary approac...

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