Tournaments and Masquerades; and Maximilian's Genealogical and Heraldic Studies; with a Statue of Albrecht the Lucky; and Portraits of Maximilian's Ancestors and Relatives,from the Arch of Honor, proof, dated 1515, printed 1517-18

Tournaments and Masquerades; and Maximilian's Genealogical and Heraldic Studies; with a Statue of Albrecht the Lucky; and Portraits of Maximilian's Ancestors and Relatives,from the Arch of Honor, proof, dated 1515, printed 1517-18 by Albrecht Dürer|Hieronymus Andreae|Albrecht Altdorfer|Hans Springinklee

Medium

Woodcut and letterpress

Dimensions

Sheet: 18 3/16 × 24 7/16 in. (46.2 × 62 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1928

Accession Number

28.82.31

Art Historical Context

This monumental woodcut, titled *Tournaments and Masquerades; and Maximilian's Genealogical and Heraldic Studies; with a Statue of Albrecht the Lucky; and Portraits of Maximilian's Ancestors and Relatives*, forms part of Holy Roman Emperor Maximilian I's grand *Arch of Honor* (1515–18). A collaborative masterpiece by Northern Renaissance giants Albrecht Dürer, Hieronymus Andreae, Albrecht Altdorfer, and Hans Springinklee, this proof sheet captures vivid scenes of jousts, festive masquerades, heraldic symbols, and ancestral portraits, including a statue of Albrecht the Lucky. Measuring nearly t...

About the Artist

Albrecht Dürer|Hieronymus Andreae|Albrecht Altdorfer|Hans Springinklee · 14711528

Albrecht Dürer (1471–1528) stands as the preeminent figure of the Northern Renaissance and arguably the most influential artist in the history of printmaking. Born in Nuremberg on May 21, 1471, and dying in the same city on April 6, 1528, Dürer revolutionized the status of the artist in Northern Europe, transforming printmaking from a commercial craft into an independent fine art and establishing ...

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