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Trade Card for Myers & Co., Designers, Engravers, Steel Plate, Lithographic & Letterpress Printers

Trade Card for Myers & Co., Designers, Engravers, Steel Plate, Lithographic & Letterpress Printers by Anonymous, British, 19th century

Medium

Commercial Lithograph

Dimensions

Sheet: 6 1/8 × 4 7/16 in. (15.5 × 11.2 cm)

Classification

Prints|Ephemera

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Bella C. Landauer, 1926

Accession Number

26.28.297

Rights

Public Domain

Art Historical Context

Step into the vibrant world of19th-century British commerce with this charming trade card for Myers & Co., a prominent firm of designers, engravers, plate, lithographic, letterpress printers. Produced in Britain during the era, this small commercial lithograph (measuring just 6 1/8 × 4 7/16 inches) served as a promotional giveaway, much like a modern business card but far more visually engaging. Trade cards like this one exploded in popularity amid the Industrial Revolution, helping businesses advertise their services to a growing middle class. Lithography, the card's medium, was a revolutionary printing technique invented in the late 18th century and perfected by the 1800s, allowing for colorful, detailed images to be mass-produced affordably. Myers & Co. proudly showcased their expertise here, likely demonstrating the very skills they offered—precise engravings and vibrant lithographic designs. As ephemera, these cards were ephemeral yet culturally vital, blending art with everyday commerce and preserving snapshots of Victorian entrepreneurial spirit. Today, this piece resides in the Metropolitan Museum of Art's Drawings and Prints department, a gift from collector Bella C. Landauer in 1926. It reminds us how commercial art democratized beauty, turning advertising into collectible treasures that reveal the ingenuity of 19th-century printers.

About the Artist

Anonymous, British, 19th century · 1800–1900

**Anonymous, British, 19th century** is not the name of a single individual but a standard museum attribution used for works whose creators remain unidentified yet are clearly British and date to the 1800s. Major institutions, including the Metropolitan Museum of Art, employ this designation for hundreds of drawings, prints, designs, and decorative studies that lack signatures or firm documentary ...

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