Triumphal Procession [reverse]

Art Historical Context

Behold the reverse side of *Triumphal Procession a exquisite bronze medal crafted by Cristoro di Geremia in1440. Measuring just 3.94 cm in diameter and weighing a mere 36.9 grams, this petite sculpture fits comfortably in the palm, embodying the Renaissance fascination with portable art. Produced in Rome during the early 15th century, exemplifies the burgeoning Italian medal tradition, inspired by ancient Roman coins and gems. Cristoforo di Geremia, a skilled medallist active under Pope Eugenius IV, a dynamic triumphal procession on this side—likely evoking the grand Roman victory parades that celebrated military triumphs and imperial glory. Cast in bronze, a durable medium favored for its warm patina and ability to hold fine details in high relief, the medal showcases masterful intaglio and chasing techniques. These small-scale works were prized as Renaissance "medals of honor," exchanged among elites as diplomatic gifts or personal talismans. Housed in the National Gallery of Art's Samuel H. Kress Collection, this piece highlights the era's revival of classical antiquity amid Italy's cultural renaissance. Visitors, imagine carrying a slice of ancient pomp in your pocket—a testament to art's power to compress history into intimate form.