Trivet Toaster
c. 1938
Medium
graphite and watercolor on paperboard
Dimensions
overall: 45.7 x 35.5 cm (18 x 14 in.) Original IAD Object: 12 1/2" high; 9 3/8" in diameter
Classification
Index of American Design
Department
CG-W
Museum
National Gallery of Art, Washington, D.C.
Credit
Index of American Design
Accession Number
1943.8.15122
Rights
Public Domain
Art Historical Context
In the heart of the Index of American Design, a treasure trove of Depression-era artistry, Filippo Porreca *Trivet Toaster* (c. 1938) captures the humble ingenuity of American household objects. Rendered in graphite and watercolor on paper, this 45.7 x 35.5 cm work meticulously depicts a compact kitchen tool—originally 12 1/2 inches high 9 3/8 inches in diameter—likely an early 20th stovetop toaster that rested on a protective trivet. Porreca's precise lines and subtle washes highlight the object's functional curves, metallic sheen, and practical design, evoking the everyday craftsmanship of pre-electric kitchens. Created as part of the Federal Art Project under the Works Progress Administration (WPA), the Index sought to celebrate and preserve America's folk and decorative arts through over 15,000 such watercolor renderings. Porreca, one of many skilled artists employed, contributed to this national effort during the Great Depression, transforming utilitarian items into icons of cultural heritage. Housed in the National Gallery of Art's collection, this piece underscores how ordinary tools embodied American resourcefulness and industrial aesthetics. The medium's blend of graphite for sharp details and watercolor for tonal depth allowed artists like Porreca to convey texture and form with museum-quality fidelity, ensuring these artifacts endure beyond their physical life. A delightful glimpse into bygone domestic life!
About the Artist
Filippo Porreca · 1855–present
Filippo Porreca is an artist for whom documented biographical information is scarce. No confirmed dates of birth or death have been established, and his nationality remains uncertain, preventing confident placement of his work within a specific national or regional tradition. The works attributed to Porreca indicate an artist with training in a recognizable technical tradition, but without archiv...