Two Biblical Scenes: The Apostles Showing Christ their Swords at left, after Raphael's Stanza della Segnatura and the Pope Celebrates Mass with Four Priests,after Raphael's Stanza di Eliodoro, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries

Two Biblical Scenes: The Apostles Showing Christ their Swords at left, after Raphael's Stanza della Segnatura and the Pope Celebrates Mass with Four Priests,after Raphael's Stanza di Eliodoro, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries by Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi

Medium

Etching

Dimensions

Sheet: 4 9/16 × 11 5/16 in. (11.6 × 28.8 cm) Plate: 4 1/8 × 10 1/16 in. (10.5 × 25.6 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Harry G. Friedman, 1959

Accession Number

59.644.8(11)

Art Historical Context

This exquisite etching captures two vivid biblical scenes inspired by Raphael's masterful frescoes in the Vatican Stanze: on the left, the Apostles their swords to Christ, echoing motifs from the Stanza della Segnatura on the right, a pope celebrating Mass with four priests, drawn from the Stanza diodoro. Created by Pietro Santi Bartoli 1650 and 1670, and published by Giovanni Giacomo De, it forms part of a prestigious series of 15 plates that faithfully reproduced Raphael's iconic Vatican commissions and designs for the Sistine Chapelestries. Raphael (1483–1520), the High Renaissance genius,...

About the Artist

Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi · 16151700

Pietro Santi Bartoli, born in Perugia in 1635, emerged as a pivotal figure in the Roman antiquarian revival of the late seventeenth century. Relocating to Rome as a youth, he initially pursued painting, studying under the French artist Jean Lemaire—known as "Le Petit Lemaire"—and later under the esteemed Nicolas Poussin, whose classical rigor profoundly shaped his early approach. Though traces of ...

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