Artheon MuseumArtheonMuseum

Vase

Anna Aloisi

1935/1942

Vase by Anna Aloisi

Medium

watercolor, graphite, and gouache on paperboard

Dimensions

overall: 30.1 x 22.7 cm (11 7/8 x 8 15/16 in.)

Classification

Index of American Design

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Index of American Design

Accession Number

1943.8.17838

Rights

Public Domain

Art Historical Context

This delicate rendering of a vase by Anna Aloisi captures the quiet elegance of American decorative arts during a pivotal era. Created between 1935 and 1942 as part of the Index of American Design, the work belongs to a remarkable federal initiative that employed hundreds of artists to document historic objects of American craftsmanship. These precise illustrations served as a visual archive, preserving the forms, patterns, and techniques of everyday and ornamental items for future generations at a time when many original pieces faced loss or dispersal. Aloisi’s choice of watercolor, graphite, and gouache on paperboard allowed for both fine detail and subtle tonal depth, techniques well suited to the Index’s goal of scientific accuracy. The medium enabled artists to record surface textures, color variations, and proportions with remarkable fidelity, turning each study into a reliable reference rather than a purely expressive artwork. Today, this piece offers viewers a window into America’s material heritage and the collaborative spirit of Depression-era cultural preservation. Housed in the National Gallery of Art’s collection, it reminds us how careful observation and skilled draftsmanship can safeguard beauty across time.

About the Artist

Anna Aloisi · 1885–1955

Anna Aloisi is an artist whose biographical details are not well documented in the major art historical literature. No confirmed dates of birth or death have been established, and her nationality, training, and primary working period are not reliably recorded in the sources currently available. She represents one of many artists — and particularly women artists — whose careers were not thoroughly...

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