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Weather Vane - Horse

Weather Vane - Horse by Herman Bader

Medium

graphite on paperboard

Dimensions

overall: 38 x 51 cm (14 15/16 x 20 1/16 in.) Original IAD Object: 26 1/4" wide; 19 1/4" high

Classification

Index of American Design

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Index of American Design

Accession Number

1943.8.16202

Rights

Public Domain

Art Historical Context

**Weather Vane - Horse** Herman Bader (c. 1939) is a meticulous graphite drawing on paperboard, measuring 38 x 51 cm, capturing the dynamic form of a traditional American horse weather vane. Rendered with fine precision, the work depicts the original object's graceful silhouette—originally 26¼ inches wide by 19¼ inches high—highlighting its sculptural curves and functional arrow tail, hallmarks of early American folk craftsmanship. Created as part of the Index of American Design (IAD), a Federal Art under the Works Progress Administration (WPA) from 1935 to 1942, this drawing preserves vanishing examples of vernacular art during the Great Depression. Artists like Bader produced thousands of such detailed renderings to document the nation's decorative heritage, from whirligigs to quilts, ensuring cultural treasures endured for future generations. Housed in the National Gallery of Art's collection, it exemplifies the IAD's mission to celebrate everyday artistry. Weather vanes like this horse, often perched atop barns and steeples since colonial times, symbolized practicality and whimsy in rural America, directing wind while adding folkloric flair. Bader's graphite technique—layered shading for depth and texture—brings the metalwork's patina and poise to life, inviting visitors to appreciate the ingenuity of anonymous makers through a modern lens.

About the Artist

Herman Bader · 1915–2002

Herman Bader is an artist whose life and career are poorly documented in existing historical sources. No birth or death dates have been confirmed, and his nationality or place of work remains uncertain, leaving significant gaps in any account of his development as an artist. The body of work attributed to Bader, preserved in collections, suggests he was a productive figure in his era. His artisti...

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