Artheon MuseumArtheonMuseum

Woman with a Fan

Mary Cassatt

c. 1878/1879

Woman with a Fan by Mary Cassatt

Medium

oil on canvas

Dimensions

overall: 85.5 x 65.1 cm (33 11/16 x 25 5/8 in.) framed: 108.6 x 88.9 cm (42 3/4 x 35 in.)

Classification

Painting

Department

CF

Museum

National Gallery of Art, Washington, D.C.

Credit

Chester Dale Collection

Accession Number

1963.10.95

Rights

Public Domain

Art Historical Context

Mary Cassatt’s *Woman with a Fan* (c. 1878/1879) captures a moment of quiet elegance during the height of the Impressionist movement. An American artist who settled in Paris, Cassatt exhibited alongside Monet, Degas, and Renoir, bringing a distinctive focus on women’s private lives to the group’s explorations of modern experience. Painted in oil on canvas, the work uses the medium’s rich texture and luminous color to suggest both the sitter’s poised demeanor and the soft play of light across fabric and skin. The composition reflects Cassatt’s interest in contemporary femininity and the subtle rituals of social presentation. The fan, a fashionable accessory of the era, becomes more than a prop; it hints at the sitter’s individuality while inviting viewers into an intimate, unposed encounter. Cassatt’s loose yet deliberate brushwork and cropped framing echo the spontaneity of Impressionism while maintaining a sense of psychological depth rarely found in more public scenes of the period. Today in the National Gallery of Art’s collection, the painting stands as a testament to Cassatt’s role in expanding the Impressionist vision to include the interior worlds of women, offering visitors a glimpse of both artistic innovation and the quiet dignity of everyday life in late-nineteenth-century Paris.

About the Artist

Mary Cassatt · 18441926

Mary Cassatt (1844-1926) was an American painter and printmaker who became the only American artist to exhibit with the French Impressionists. Born to a wealthy Pennsylvania family, she defied social conventions to pursue art professionally, settling permanently in Paris where Edgar Degas invited her to join the Impressionist group in 1877. Her paintings of mothers and children—rendered with Impre...

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