Artheon MuseumArtheonMuseum

Woman's Shoe

Woman's Shoe by Sylvia Dezon

Medium

watercolor and graphite on paperboard

Dimensions

overall: 28.9 x 22.5 cm (11 3/8 x 8 7/8 in.)

Classification

Index of American Design

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Index of American Design

Accession Number

1943.8.1926

Rights

Public Domain

Art Historical Context

This precise watercolor and graphite rendering of woman's shoe was created around 1937 by Sylvia Dezon for the Index of American Design, a landmark project now in the collection of the National Gallery of. Measuring just under twelve by nine inches on paperboard the work reflects the careful, documentary approach typical of the initiative, in which artists used graphite underdrawings and translucent watercolor washes to record every stitch, curve, and texture with scientific accuracy. The Index of American Design formed part of the Works Progress Administration's Federal Art Project during the Great Depression. Hundreds of artists were employed to create a comprehensive visual archive of American decorative arts and everyday objects from the colonial period through the nineteenth century. Dezon's shoe study belongs to this national effort to preserve the nation's material heritage at a moment when many historic artifacts risked being lost or forgotten. Beyond its modest subject, the drawing stands as both an artistic achievement and a cultural document. The combination of media allowed for extraordinary fidelity to the original object, capturing the craftsmanship of historic American footwear and the evolving styles of women's fashion. Today it offers visitors a quiet, intimate glimpse into the past and into the dedicated labor of artists who, even in hard times, believed that America's design traditions were worth recording for future generations.

About the Artist

Sylvia Dezon · 1906–1970

Sylvia Dezon is an artist whose biographical details remain largely undocumented in accessible art historical sources. Her nationality, dates of birth and death, artistic training, and the broader arc of her career have not been established in the scholarly record available at this time. Where her works appear in museum collections or exhibition records, they demonstrate an individual artistic vo...

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