Young Woman with Ibis

Art Historical Context

Edgar Degas's *Young Woman with Ibis* (1857–58, reworked 1860–62) captures the artist at a pivotal early stage, during his formative years in Italy. Fresh from his 1856 arrival in Rome, Degas immersed himself in the masterpieces of the Renaissance and classical antiquity, influences evident in this oil-on-canvas portrait. The painting depicts a poised young woman accompanied by an exotic ibis bird, evoking the vibrant cultural milieu of Rome, where ancient Egyptian motifs like the sacred ibis intertwined with European artistic traditions. Rendered in meticulous detail on a generous 39 3/8 x 29 1/2-inch canvas, the work showcases Degas's academic precision—smooth modeling, subtle tonal shifts, and a balanced composition—before his later Impressionist innovations in light and movement. The reworking between 1860 and 1862 reflects his evolving hand, refining forms with greater psychological depth and luminosity. This piece bridges his classical training with the modernity that would define his career. Now a highlight in the Metropolitan Museum of Art's European Paintings department (gift of Stephen Mazoh and purchase, bequest of Gioconda King, 2008), *Young Woman with Ibis* offers visitors a rare glimpse into Degas's Italian sojourn, blending portraiture, nature, and exotic allure in a timeless tableau.

About the Artist

Edgar Degas · 1834–1917

Edgar Degas (1834-1917) stands as one of the most innovative artists of the nineteenth century, whose distinctive vision transformed how modern life could be depicted on canvas. Born Hilaire-Germain-Edgar De Gas in Paris to a wealthy banking family—his father French, his mother a Louisiana Creole from New Orleans—Degas received a classical education before abandoning law studies in 1855 to pursue ...