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A Dell, Helmingham Park, Suffolk

A Dell, Helmingham Park, Suffolk by David Lucas|John Constable

Medium

Mezzotint on chine collé; proof before published state

Dimensions

Image: 5 11/16 × 7 3/16 in. (14.4 × 18.3 cm) Plate: 6 15/16 × 23 in. (17.6 × 58.4 cm) Sheet: 13 7/8 in. × 19 in. (35.2 × 48.3 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1938

Accession Number

38.23.7

Rights

Public Domain

Tags

ParksCowsTrees

Art Historical Context

Step into the tranquil Suffolk countryside *A Dell, Helming Park, Suffolk* (1830), a mezzotint proof created by engraver David Lucas after an oil sketch by John Constable Constable, the celebrated Romantic landscape painter, captured the rolling parks, shady trees, and grazing cows of his native Suffolk in vivid, naturalistic detail. Helmingham Park, a estate, exemplifies Constable's deep affection for everyday English scenery, evoking a sense of peaceful harmony between humanity and nature. This print's medium—mezzotint on chine collé—marks a pinnacle of 19th-century printmaking innovation. Mezzotint, known for its velvety tonal gradations, allowed Lucas to translate Constable's luminous brushwork into rich darkness and light, mimicking oil paint's softness. Printed on delicate Chinese paper adhered to a stronger support, this proof represents an unpublished state, offering a rare glimpse into the artists' iterative process before final publication in Constable's *English Landscape Scenery* series. Housed in the Metropolitan Museum of Art, this work underscores the collaboration's historical significance: it democratized Constable's art, making his evocative visions accessible beyond elite canvases. Visitors will appreciate how it bridges painting and print, inviting reflection on Britain's pastoral heritage.

About the Artist

David Lucas|John Constable · 1802–1881

**David Lucas (1802–1881)** David Lucas was born in 1802 in Geddington Chase, Northamptonshire, the son of a farmer.) A chance encounter in 1820 led him to become a pupil of the renowned engraver Samuel William Reynolds, under whom he apprenticed in London until 1827, mastering the art of mezzotint engraving.) By 1827, Lucas had published his first mezzotints, showcasing his precocious talent for...

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