A Seated King in Armor (King David?)
16th century
Medium
Pen and brown ink, brush and brown wash, over possible traces of black chalk, squared in red chalk; glued onto secondary paper support.
Dimensions
15 x 9-1/8 in. (38.1 x 23.2 cm)
Classification
Drawings
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Gift of Harry G. Friedman, 1960
Accession Number
60.66.11
Rights
Public Domain
Tags
Art Historical Context
Behold *A Seated King in (King David?)*, a captivating 16th-century drawing Orazio Samacchini a Bolognese artist known for his elegant Mannerist figures. Created during the Italian Renaissance, this work likely depicts a regal figure—possibly the biblical King David—seated confidently in ornate armor, evoking themes of power, protection, and heroism that resonated in Renaissance art. Samacchini's composition captures the king's poised dignity, blending classical ideals with contemporary flair. Executed in pen and brown ink with brush and brown wash over faint black chalk traces, the sheet measures 15 x 9-1/8 inches and is squared in red chalk—a practical Renaissance technique for scaling up designs onto panels or frescoes. This suggests it served as a preparatory study, perhaps for a larger painting or decorative scheme in a church or palace. The drawing's later mounting on secondary paper highlights conservation efforts to preserve such delicate works. Housed in the Metropolitan Museum of Art's Drawings and Prints department (gift of Harry G. Friedman, 1960), this piece offers a window into the meticulous workshop practices of the era. Its intricate armor details and subtle modeling showcase Samacchini's mastery of mixed media, inviting visitors to appreciate the artistry behind grander masterpieces.
About the Artist
Orazio Samacchini · 1532–1577
**Orazio Samacchini** (also spelled Sammachini; 20 December 1532 – 12 June 1577) was an Italian painter of the late Renaissance and Mannerist style, born and died in Bologna. He worked primarily in his native city but also received important commissions in Rome and Parma. Samacchini trained under Pellegrino Tibaldi, though some early sources also link him to Ercole Procaccini. His early work show...