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A Winter Morning--Shovelling Out, from Every Saturday, January 14, 1871

A Winter Morning--Shovelling Out, from Every Saturday, January 14, 1871 by Winslow Homer

Medium

Graphic Arts-Print

Classification

Graphic Arts-Print

Department

Smithsonian Collection

Museum

Smithsonian American Art Museum

Credit

Smithsonian American Art Museum, The Ray Austrian Collection, gift of Beatrice L. Austrian, Caryl A. Austrian and James A. Austrian

Accession Number

1996.63.173

Rights

Public Domain

Tags

houseFigure groupwintermorningsnowgardening

Art Historical Context

Winslow Homer, a pioneering American realist painter and illustrator, captured the grit and beauty of everyday life in *A Winter Morning--Shelling Out*, a wood engraving print published in the January 14, 1871, issue of *Every Saturday* magazine. Created during a pivotal period in Homer's career—shortly after the Civil War, as he shifted from wartime illustrations to scenes of rural America—this work reflects the nation's post-war resilience and the rhythms of seasonal labor. The image depicts a group of figures energetically shoveling snow from the path to a cozy house on a crisp winter morning, evoking the communal effort required in harsh New England winters. Homer's graphic arts technique, rooted in wood engraving, allowed for intricate details and high contrast that brought magazine illustrations to life, making art accessible to a broad audience. His precise lines and dramatic shading highlight the textures of snow and the determination of the workers, blending realism with a subtle sense of optimism. As part of the Smithsonian American Art Museum's Ray Austrian Collection, this print exemplifies Homer's influence on American visual culture, bridging fine art and popular media while celebrating ordinary heroism in the face of nature's challenges.

About the Artist

Winslow Homer · 1836–1910

Winslow Homer (1836-1910) was one of America's greatest painters and a preeminent figure in 19th-century American art. Largely self-taught, Homer began his career as a commercial illustrator and Civil War correspondent for Harper's Weekly before becoming renowned for his powerful marine subjects and landscape paintings. His mastery of both oil and watercolor, combined with his uncompromising reali...

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