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As (Coin) Portraying Agrippa

Ancient Roman

14-37 or 37-41?

As (Coin) Portraying Agrippa by Ancient Roman

Medium

Bronze

Dimensions

Diam.: 3 cm (1 3/16 in.)

Classification

coin

Department

Arts of Greece, Rome, and Byzantium

Museum

Art Institute of Chicago

Accession Number

78582

Rights

Public Domain

About this artwork

The front (obverse) of this coin portrays the head of Agrippa, facing left. The back (reverse) depicts the god Neptune (Greek Poseidon).

Art Historical Context

This small bronze *as* coin, measuring just 3 cm in, offers a fascinating glimpse into ancient Roman imperial propaganda and portraiture. Struck in the early 1st century CElikely between 14–37 CE under Emperor Tiberius or 3741 CE under Calig—it features the likeness of Marcus Vipsani Agrippa, the brilliant general and close ally of Augustus who helped secure Rome's empire through military victories and engineering feats like the Pantheon. Though Agrippa died in 12 BCE, his image on coins honored his enduring legacy, often posthumously deified alongside imperial family members. As a common denomination in Roman bronze coinage, the *as* circulated widely among everyday people, serving not just as currency but as a medium for political messaging. The obverse likely depicts Agrippa's realistic profile—a hallmark of Roman numismatic art, evolving from Greek influences toward individualized, lifelike portraits that conveyed authority and divinity. Techniques involved striking metal blanks with engraved dies, capturing fine details like hair, facial features, and imperial regalia in miniature scale. Housed in the Art Institute of Chicago's Arts of Greece, Rome, and Byzantium department, this coin underscores how Romans used portable art to foster loyalty and memory across the empire. It's a tiny testament to Agrippa's outsized influence, bridging daily life with the grandeur of Rome's power.

About the Artist

Ancient Roman

The artists attributed to "Ancient Roman" in museum collections represent the anonymous craftsmen who produced the vast output of sculpture, frescoes, mosaics, and reliefs defining Roman visual culture from the Republic (c. 509–27 BCE) to the late Empire (c. 395 CE). Individual identities remain elusive, as Roman makers were typically viewed as skilled tradesmen—often enslaved Greeks or provincial...

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