Related Artworks
Discover similar artworks
Plate E: Election and Coronation of Emperor Maximilian II
1612
A group of young men dancing as the gods look on from above; set design from 'Il Pomo D'Oro'
1668
Procession, with men riding horses; three men playing trumpets at front, a knight at center, and a gentleman at the rear
16th century
The Arsenal; two soldiers conversing with two women on the right as a group of soldiers look on from the left; set design from 'Il Fuoco Eterno'
1674
Volcano at center with blacksmiths working at left and armor on the ground around them
16th century
Three men at center, an old man who holding out an open book for a soldier to sign as a smaller man stands to the left holding ink; a large group of men surround them; set design from 'Il Fuoco Eterno'
1674
Courtyard of a palace with a man standing at center surrounded by attendants; above, a vision of a woman in a similar scene; set design from 'Il Pomo D'Oro'
1668
Pleasure garden, with three figures in front of a fountain at center, a row of putti to the left, and a group of women to the right; set design from 'Il Pomo D'Oro'
1668
A large gathering of people in the street as a goddess races across the sky in a chariot led by four horses; set design from 'Il Fuoco Eterno'
1674
Procession, with six men riding horses
16th century
A princely wedding performed by a bishop
late 16th century
Throne room with a man in classical armor standing at center addressing a man seated on a throne at left; soldiers lined on either side of the room; set design from 'Il Fuoco Eterno'
1674
More by Mathäus Küsel
Explore other works by this artist
Text to accompany plate illustrating the fireworks display celebrating the birth of Prince Max Emmanuel of Bavaria, Munich, 1662
1662
Theatrical scene with four figures on a staircase in the distance, two of which are engaged in a brawl
ca. 1660–82
The Elysian Fields; set design from 'La Monarchia Latina Trionfante'
1678
A grotto with collapsing rocks, opening to a sky full of the enthroned gods of Olympus, including Jupiter, Apollo, Mars, Venus, and Mercury; set design from 'La Monarchia Latina Trionfante'
1678
The Seat of Saturn; Saturn at center, seated on a throne of rubble, conversing with a king and three men who stand before him; lining the walls on each side are four figures of Saturn devouring children; set design from 'La Monarchia Latina Trionfante'
1678
Prologue; the stage curtain is lifted to reveal a soldier on an elephant surrounded by his army; above Jupiter and his eagle look down on men carrying boulders; set design from 'La Monarchia Latina Trionfante'
1678
An army marching through a field; soldiers on foot at left and right, while others ride elephants and camels down the center; set design from 'La Monarchia Latina Trionfante'
1678
Magnificent Hall of Astrea; men and women gathered in the street to view a procession through a triumphal arch and down the stairs into the city; the procession is led by a female wearing a crown, she is followed by various figures in varying costume; set design from 'La Monarchia Latina Trionfante'
1678
Men and women gathererd in the street to view the entrance of a royal figure, who is carried into the city on a throne; set design from 'La Monarchia Latina Trionfante'
1678
The Arsenal; two soldiers conversing with two women on the right as a group of soldiers look on from the left; set design from 'Il Fuoco Eterno'
1674
The Roman curia with guards in the anteroom; set design from 'Il Fuoco Eterno'
1674
A woman standing on the right side of a road lined with columns; at center a statue of a female with cupid flying nearby; to the left, a woman emerging from the clouds as another sits among flames above; set design from 'Il Fuoco Eterno'
1674