Artheon MuseumArtheonMuseum

Bacchanal with Wine Vat

Andrea Mantegna

before 1475

Bacchanal with Wine Vat by Andrea Mantegna

Medium

Engraving

Dimensions

Sheet: 11 13/16 × 16 3/4 in. (30 × 42.5 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Anonymous Gift, 1929

Accession Number

29.44.16

Rights

Public Domain

Tags

DrunkennessChildrenMenSatyrsDrinking

Art Historical Context

Andrea Mantegna's *Bacchanal with Wine*, an engraving created before 1475, captures the wild exuberance of classical revelry in intricate detail. As a leading figure of the Early Italian Renaissance, Mantegna was renowned for his of perspective and classical motifs, bridging antiquity with his contemporary world in Padua and Mant. This print, measuring 11 13/16 × 16 3/4 inches, exemplifies his innovative foray into printmaking, a medium that allowed artists to reach wider audiences beyond elite patrons. The scene bursts with mythological energy: satyrs, men, and even children cavort around a massive wine vat, embodying Dionysian themes of drunkenness and uninhibited joy. Mantegna's engraving technique—incising fine lines into a copper plate for inking and printing—produces crisp, textured effects that convey motion and texture, from flowing drapery to the chaos of the feast. Such prints were revolutionary, influencing later artists like Dürer and preserving Mantegna's vision in multiples. Housed in the Metropolitan Museum of Art's Drawings and Prints department (Anonymous Gift, 1929), this work reflects Renaissance fascination with Greco-Roman bacchanals, celebrating excess while nodding to humanist ideals. It's a lively window into 15th-century interpretations of ancient ecstasy.

About the Artist

Andrea Mantegna · 1431–1506

Andrea Mantegna was born around 1431 near Padua, in the Venetian Republic, the son of a carpenter. At approximately age eleven he was taken into the workshop of the Paduan painter and antiquities collector Francesco Squarcione, who enrolled him as a guild member and immersed him in the study of Roman sculpture and classical Latin. Though Mantegna later claimed that Squarcione had exploited his lab...

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