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Bildnis Dr. Victor Heinrich Klinkhardt (III) (Portrait of Dr. Victor Heinrich Klinkhardt [III]) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

Bildnis Dr. Victor Heinrich Klinkhardt (III) (Portrait of Dr. Victor Heinrich Klinkhardt [III]) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time) by Ludwig Meidner

Medium

lithograph on card from a bound volume with 16 lithographs (including cover), eight woodcuts, and eight photomechanical reproductions

Dimensions

book: 33 × 25 × 1.3 cm (13 × 9 13/16 × 1/2 in.)

Classification

Volume

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Gift of Ingrid Rose in memory of her husband Milton Rose

Accession Number

2014.7.3.23

Rights

Public Domain

Art Historical Context

In the bustling cultural scene of Weimar Germany, Ludwig Meidner's *Bildnis Dr. Victor Heinrich Klinkhardt (III captures the essence of a prominent figure through the artist's masterful lithography. Created in 1920, this portrait lithograph on card is one print from the celebrated volume *Deutsche Graphiker der Gegenwart* (German Printmakers of Our Time). The book, measuring 33 × 25 × 1.3 cm, showcases a diverse array of techniques—including 16 lithographs (with cover), eight woodcuts, and eight photomechanical reproductions—highlighting the vitality of German graphic arts during the early post-World War I era. Meidner, a key Expressionist printmaker known for his dynamic lines and psychological intensity, renders the sitter—likely an art world notable—with sharp contours and expressive detail. Lithography's versatility allowed for rich tonal gradations and fluid marks, making it ideal for intimate portraits that convey personality amid societal upheaval. This work exemplifies how print portfolios democratized access to contemporary art, bridging galleries and everyday audiences. Generously gifted to the National Gallery of Art by Ingrid Rose in memory of her husband Milton Rose (Department CG-W, Classification: Volume), it invites us to ponder the intersections of portraiture, innovation, and historical resilience in 1920s Germany.

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