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Boys Playing with a Basin of Fish and Turtles

Kitao Shigemasa

early 19th century

Boys Playing with a Basin of Fish and Turtles by Kitao Shigemasa

Medium

Woodblock print; ink and color on paper

Dimensions

H. 8 3/8 in. (21.3 cm); W. 14 3/4 in. (37.5 cm)

Classification

Prints

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929

Accession Number

JP1715

Rights

Public Domain

Tags

BoysPlayingFishTurtlesBasins

Art Historical Context

In the vibrant world of Edo-period Japan (1615–1868), Kitao Shigemasa's *Boys Playing with a Basin of Fish and Turtles* captures a of pure childhood delight. This early 19th-century woodblock print young boys gleefully interacting with live fish and turtles in a basin, their faces alive with wonder and mischief. Shigemasa, a master ukiyo-e—the "pictures of the floating world"—excelled in portraying everyday scenes with a keen eye for human emotion and natural detail, blending humor and tenderness in this intimate domestic tableau. Crafted as a color woodblock print on paper (measuring 8⅜ × 14¾ inches), the work showcases the revolutionary techniques of Japanese printmaking. Multiple carved wooden blocks were inked in precise colors and layered to achieve rich, luminous hues, allowing affordable mass production for urban audiences. This medium democratized art during the prosperous Edo era, when such prints adorned homes and fueled a booming culture of leisure. Housed in the Metropolitan Museum of Art's Asian Art Department from the renowned H.O. Havemeyer Collection, this piece highlights the cultural reverence for play and nature in Japanese life. It invites us to pause and smile at timeless joys, reminding visitors of ukiyo-e's enduring charm in celebrating the fleeting beauty of ordinary moments.

About the Artist

Kitao Shigemasa · 1739–1820

Kitao Shigemasa (1739–1820), born in the bustling Nihonbashi district of Edo (modern Tokyo), emerged as a pivotal figure in ukiyo-e woodblock printing during Japan's Edo period. The eldest son of the bookseller Suharaya Mohei—from a lineage of publishers—Shigemasa, originally named Kitabatake Tarōkichi, was immersed in the world of printing from youth. Largely self-taught, he later studied under t...

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