Broadsheet, on recto artist and artisans in hell with objects relating to their profession entitled 'The artistic purgatory, where the calaveras of artists and craftsmen lie', on verso skulls relating to different professions

Broadsheet, on recto skeletons riding bicycles entitled 'From this famous hippodrome on the racetrack, not even a single journalist is missing. Death is inexorable and doesn't even respect those that you see here on bicycles'; on verso skeletons buying and selling printed images etc

ca. 1895–1900

An uncut sheet printed on both sides with pages from 'Juan Ceniza' (cuento arreglado por C. S. Suarez) and 'Rosendito, los leones y el sapo' (cuento por C. S. Suarez)

ca. 1900–1910

An uncut sheet printed on both sides with pages from 'Ademdai' and 'Agraciado: El niño de un jeme'

ca. 1900–1910

An uncut sheet printed on both sides with pages from 'Perucho el Valeroso' and 'Perlina la encantadora'

ca. 1900–1910

Skeleton wearing a hat and carrying a towel

ca. 1880–1910

Two elegantly dressed skeletons walking, from a broadside entitled, 'El Gran Panteon Amoroso,' published by Antonio Vanegas Arroyo.

ca. 1880–1910

A dance with men in dresses paired with men in suits from a broadside entitled 'Los 41 maricones encontrados en un baile de la Calle de la Paz el 20 de Noviembre de 1901'

1901

Broadside (recto) the legitimate verses of Lino Zamora brought from Real de Zacatecas (image of toreador and bull by Manilla) and a funeral scene on verso possibly by Posada

1902 (published)

Broadsheet with verse relating to Don Luis Cabrera ('scourge of the nation') who is shown standing in the center wearing a top hat

1920 (published)

Broadsheet relating to the rabbit that does not like hay but only chocolate, a corrida (ballad) in the bottom section

1903

Cover for 'Nuevo Oraculo ó sea El Libro del Porvenír', an old women seated at a table and reading someone's fortune from cards

ca. 1880–1910

The skeleton of the people’s editor (Antonio Vanegas Arroyo)

1907