Artheon MuseumArtheonMuseum

舞楽図屏風 ・唐獅子図屏風|Bugaku Dances (front); Chinese Lions (reverse)

Hanabusa Itchō

early 18th century

舞楽図屏風 ・唐獅子図屏風|Bugaku Dances (front); Chinese Lions (reverse) by Hanabusa Itchō

Medium

Pair of six-panel screens; ink, color, and gold leaf on paper

Dimensions

Image: 65 1/8 in. × 14 ft. 2 5/8 in. (165.4 × 433.4 cm) Overall: 72 3/16 in. × 14 ft. 7 3/8 in. (183.3 × 445.4 cm)

Classification

Paintings

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975

Accession Number

1975.268.57, .58

Rights

Public Domain

Tags

DanceHuman FiguresLions

Art Historical Context

This stunning pair of six-panel folding screens by Hanabusa Itchō, created in the early 18 century during Japan's Edo period (1615–1868), exemplifies the opulent artistry of the time. Crafted with ink, vibrant colors, and shimmering gold leaf on paper, screens measure over 14 feet wide when open, designed as *byōbu* to adorn elite interiors. Itchō, a versatile ukiyo-e artist known his witty, realistic style, captures movement and elegance on the front with scenes of *bugaku*—ancient court dances imported from China and Korea centuries earlier, performed at imperial ceremonies. The reverse side bursts with dynamic Chinese lions (*karajishi*), mythical guardians symbolizing power and protection in East Asian lore. Itchō's playful brushwork infuses both sides with life: the dancers in flowing robes strike graceful poses amid swirling rhythms, while the lions prowl with exaggerated ferocity and charm. Gold leaf grounds the compositions, creating a luminous backdrop that evokes the grandeur of shogunate-era culture. These screens highlight Edo Japan's fusion of tradition and innovation, blending ritualistic *bugaku* with fantastical motifs. A gift to the Metropolitan Museum of Art from the Harry G. C. Packard Collection, they invite visitors to step into a world of refined spectacle and artistic whimsy.

About the Artist

Hanabusa Itchō · 1652–1724

Japanese, 1652–1724

    Send Feedback

    We use this only to reply to your feedback.