Artheon MuseumArtheonMuseum

Byzantine Dome Coin Bank

Byzantine Dome Coin Bank by William O. Fletcher

Medium

watercolor, gouache, and graphite on paper

Dimensions

overall: 21.5 x 29.1 cm (8 7/16 x 11 7/16 in.) Original IAD Object: 3 3/4" high, 2 7/16" wide; 1 7/8" deep

Classification

Index of American Design

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Index of American Design

Accession Number

1943.8.8501

Rights

Public Domain

Art Historical Context

This delicate rendering captures a charming coin bank shaped like a miniature Byzantine dome, standing just 3¾ inches tall. Created around 1938 by William O. Fletcher, the work belongs to Index of American Design, a New Deal initiative that employed artists to document everyday American decorative objects for posterity. The bank’s rounded, onion-shaped form and intricate surface details evoke the architectural splendor of Eastern Orthodox churches, translated here into a playful savings vessel likely produced in the early twentieth century. Fletcher rendered the object with watercolor, gouache, and graphite on paper, a combination that allowed for both precise architectural lines and soft tonal modeling. The careful shading emphasizes the dome’s curved volume and the subtle textures of its painted or molded surface, giving viewers an almost tactile sense of the original metal or ceramic artifact. Such meticulous technique was essential to the Index’s mission of preserving visual records of American craft traditions before they disappeared. Today this drawing serves as both artwork and historical document, illustrating how ordinary household items once borrowed motifs from grand architectural styles. Displayed at the National Gallery of Art, it invites visitors to appreciate the quiet creativity embedded in everyday American design.

About the Artist

William O. Fletcher · 1880–1954

William O. Fletcher is represented in museum collections by a body of work that demonstrates consistent artistic output and the kind of sustained production that distinguishes professional or semi-professional practice from occasional art-making. While his biographical details remain unrecorded in the sources readily available to researchers — his dates, nationality, and training all currently unk...

    Send Feedback

    We use this only to reply to your feedback.