Artheon MuseumArtheonMuseum

Cast Iron Cat's Head

Jane Iverson

1935/1942

Cast Iron Cat's Head by Jane Iverson

Medium

watercolor and graphite on paperboard

Dimensions

overall: 40.7 x 30.4 cm (16 x 11 15/16 in.) Original IAD Object: 12" high

Classification

Index of American Design

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Index of American Design

Accession Number

1943.8.17009

Rights

Public Domain

Art Historical Context

Behold the *Cast Iron Cat's Head a captivating watercolor and graphite rendering by Jane Iverson, created between 1935 and 1942. This precise depiction captures the sturdy, whimsical form of a 12-inch-high cast iron object—likely a decorative doorstop or garden ornament popular in early 20th-century American homes. Iverson's meticulous technique on paperboard brings out the metal's textured surface, glossy highlights, and playful feline features, transforming an everyday utilitarian item into a work of art. As part of the Index of American Design, a Federal Art Project under the Works Progress Administration (WPA), this piece reflects the Great Depression-era effort to document and celebrate America's rich folk art and industrial design heritage. Artists like Iverson produced over 15,000 such renderings nationwide, preserving objects that might otherwise be lost to time. Housed in the National Gallery of Art, it highlights how cast iron production boomed in the 19th century, blending functionality with folkloric charm in everyday American life. Iverson's blend of watercolor's luminosity and graphite's fine lines exemplifies the Index's artistic rigor, making complex three-dimensional forms vividly accessible. A charming nod to our inventive past, it invites visitors to appreciate the artistry in the ordinary.

About the Artist

Jane Iverson · 1910–1997

Jane Iverson is an artist whose biographical details — including her dates, nationality, and training — are not well represented in the major art historical reference sources currently available. The limited documentation surrounding her career makes it difficult to characterize her practice in relation to any specific school, movement, or period. Works attributed to Iverson in museum collections...

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