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Cherubs in a Tree by Giovanni Larciani ("Master of the Kress Landscapes")

Medium

Pen and brown ink, brush and brown wash, highlighted with white gouache, on gray-brown paper (originally blue-gray)

Dimensions

19 1/2 x 5 1/4in. (49.6 x 13.3cm)

Classification

Drawings|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952

Accession Number

52.570.101

Rights

Public Domain

Tags

BirdsCupid

Art Historical Context

Nestled among the lush branches of a tree, *Cherubs in a Tree by Giovanni Larciani—known as the "Master the Kress Landscapes"—ures a whimsical moment from the 18th century This delicate drawing, executed in pen and brown ink with brush and brown wash, heightened with white gouache on originally blue-gray paper that has aged to a warm gray-brown. Measuring a slender 19½ x 5¼ inches, its elongated format evokes a decorative frieze, perfect for ornamentation. The scene bursts with playful energy: cherubs, or cupids, frolic alongside birds amid twisting foliage, embodying the lighthearted spirit of 18th-century ornamental design. Larciani, an Italian artist celebrated for his landscapes in the Kress Collection, showcases his skill in this classification of Drawings and Prints, blending intricate linework with subtle tonal washes to create depth and luminosity. The white gouache highlights add a sculptural quality, mimicking the gleam of stucco or fresco in grand interiors. Acquired through The Elisha Whittelsey Fund in 1952, this work at the Metropolitan Museum of Art highlights the era's fascination with nature-inspired motifs in architecture and decoration. It invites visitors to appreciate the artistry behind ephemeral designs that once adorned palaces and gardens, bridging fantasy and fine craft.

About the Artist

Giovanni Larciani ("Master of the Kress Landscapes") · 1700–1800

Giovanni di Lorenzo Larciani (1484–1527), a Florentine painter known initially as the "Master of the Kress Landscapes," emerged from obscurity in the mid-1990s through the scholarship of Louis Waldman, who linked him to documents including a 1521 contract for an altarpiece. Born and active in Florence until his death, Larciani specialized in religious scenes enriched by vivid, atmospheric landscap...

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