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Chimneypiece: Affronted griffons on the lintel and candelabra on the jambs (Ch. accompagnée de son plan et décorée d'une frise de griffons), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)

Chimneypiece: Affronted griffons on the lintel and candelabra on the jambs (Ch. accompagnée de son plan et décorée d'une frise de griffons), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses) by Giovanni Battista Piranesi

Medium

Etching

Dimensions

Sheet: 16 1/8 x 21 7/16 in. (41 x 54.5 cm) Plate: 9 5/8 x 15 3/16 in. (24.5 x 38.5 cm)

Classification

Prints|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1973

Accession Number

1973.509.5

Tags

FireplacesGriffinsFire

Art Historical Context

Giovanni Battista Piranesi, the 18th-century Italian and architect, created this etching around 1769 as part of his influential series *Diverse Mani d'adornare imini ed ogni altra parte edifizi* ("Different Ways of Ornamenting Chimneyp and All Other Parts of"). Titled *Chimneypiece: Affront griffons on the lint and candelabra on jambs*, it showcases an ornate fireplace design featuring confronting griffons—a mythical creature blending lion and eagle—framing the lintel, flanked by elegant candelabra on the jambs. These fantastical elements evoke the grandeur of ancient Roman architecture, which...

About the Artist

Giovanni Battista Piranesi · 17201778

Giovanni Battista Piranesi (1720–1778) was an Italian printmaker, architect, and antiquarian whose visionary etchings of Rome and imaginary prisons revolutionized architectural representation and profoundly influenced both Neoclassicism and Romanticism. Piranesi stands as one of the most important printmakers of the eighteenth century, fundamentally shaping European perceptions of ancient Rome an...

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