Choemon Carrying Ohan on His Back

Art Historical Context

In the enchanting world of ukiyo-e, Kitagawa Utamaro'sChoemon Carrying Ohan His Back* (c. 1801) captures poignant moment of devotion and drama. This color woodblock print, classified as a *hashira-e*—a tall, narrow format designed to hang on pillars in Japanese homes—showcases Utamaro's during the late Edo period. As a leading figure in the "pictures of the floating world" tradition, Utamaro specialized in *bijin-ga*, exquisite portrayals of beautiful women, blending sensuality with emotional depth. The scene likely draws from popular kabuki theater or folktales, evoking tales of star-crossed lovers like those in Chikamatsu Monzaemon's works, where figures such as Choemon and Ohan embody tragic passion. Utamaro's innovative techniques shine through vibrant *mica* grounds, subtle gradations of color (*bokashi*), and intricate patterns on kimonos, creating a sense of intimacy and movement despite the vertical composition. These affordable prints democratized art, bringing high culture to everyday viewers. Housed in the Art Institute of Chicago's Arts of Asia department, this work highlights ukiyo-e's global influence, inspiring later artists like Van Gogh. It invites us to ponder love's burdens—both literal and figurative—in a single, striking image.

About the Artist

Kitagawa Utamaro · 1753–1806

Kitagawa Utamaro (c. 1753-1806) was one of the most celebrated masters of ukiyo-e woodblock printing, revolutionizing the art of bijin-ga (pictures of beautiful women) during Japan's Edo period. Born Kitagawa Ichitaro, his early life remains shrouded in mystery, with conflicting accounts placing his birth in Kyoto, Osaka, Yoshiwara in Edo (modern Tokyo), or Kawagoe in Musashi Province. Under the t...