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Christ Rebukes the Scribes and Pharisees

Léonard Gaultier

probably c. 1576/1580

Christ Rebukes the Scribes and Pharisees by Léonard Gaultier

Medium

engraving

Dimensions

sheet: 6.9 × 6.6 cm (2 11/16 × 2 5/8 in.)

Classification

Print

Department

CG-E

Museum

National Gallery of Art, Washington, D.C.

Credit

Rosenwald Collection

Accession Number

1964.8.960

Rights

Public Domain

Art Historical Context

In the intimate engraving *Christ Rebukes the Sc and Pharisees*, French artist Léonard Gault captures a pivotal New Testament moment from Matthew , where Jesus sharply denounces the hypocrisy of religious leaders. Created around 1576–1580, tiny work—measuring just 6.9 × 6.6 cm—exemplifies the devotional prints popular in late 16th-century France during Catholic Counter-Reformation. Gaultier a skilled engraver active in Paris, often reproduced designs by leading painters, blending Mannerist elegance with religious fervor amid the era's religious tensions under King Henry III. Engraving's precision, achieved by incising fine lines into a copper plate with a burin, allowed Gaultier to convey dramatic tension through intricate cross-hatching and expressive figures. The small scale suggests it was designed for personal piety—perhaps tucked into a prayer book or worn as a talisman—making sacred narratives accessible to the faithful beyond grand altarpieces. Housed in the National Gallery of Art's Rosenwald Collection, this print highlights engraving's role in democratizing art, bridging elite workshops and everyday devotion. Its cultural resonance endures as a reminder of art's power in moral discourse, inviting viewers to reflect on timeless themes of authenticity and spiritual integrity.

About the Artist

Léonard Gaultier · 1561–1641

Léonard Gaultier, a prolific French engraver born in Mainz around 1561, established himself as a prominent printmaker and publisher in Paris, where he died in 1641. Operating from addresses like "A l'Arche de Noé" on rue du Monceau-Saint-Gervais by 1585, he produced book illustrations, frontispieces, title pages, broadsides, almanacs, and standalone prints, often collaborating with publishers such...

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