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Coffee cup (part of a service)

Coffee cup (part of a service) by Doccia Porcelain Manufactory

Medium

Hard-paste porcelain

Dimensions

H. 3 in. (7.6 cm.); Diam. 2 7/8 in. (7.3 cm.)

Classification

Ceramics-Porcelain

Culture

Italian, Florence

Department

European Sculpture and Decorative Arts

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of George F. Baker, 1931

Accession Number

31.132.5

Rights

Public Domain

Tags

Female NudesPuttiSwans

Art Historical Context

This elegant coffee cup, created around 1760 by the Doccia Porcelain Manufactory in Florence, exemplifies the refined taste of 18th-century European tableware. As part of a larger service, it reflects the growing fashion for porcelain coffee and tea sets among the Italian aristocracy. The small scale—standing just three inches high—highlights the intimate, personal nature of such objects, designed for daily rituals yet crafted with artistic care. Made of hard-paste porcelain, the cup demonstrates the technical achievements of Italian ceramic production during this period. This durable material, prized for its translucency and strength, allowed for delicate forms and intricate surface decoration. The vessel features charming motifs of female nudes, putti, and swans, evoking classical mythology and Rococo playfulness that were popular in decorative arts of the time. Housed in the Metropolitan Museum of Art’s collection of European Sculpture and Decorative Arts, this piece offers visitors a glimpse into Florence’s vibrant artistic heritage and the era’s blend of utility and beauty. Its gift to the museum in 1931 underscores its enduring appeal as both a functional object and a work of art.

About the Artist

Doccia Porcelain Manufactory · 1737–1896

The Doccia Porcelain Manufactory, founded in 1737 by Marquis Carlo Ginori near Florence, holds the distinction of being Italy's first hard-paste porcelain manufacturer and one of the few European porcelain enterprises to survive from the eighteenth century to the present day without interruption. Unlike most contemporary ventures — which depended on the patronage and protection of ruling courts — ...

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