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Coin Portraying Emperor Septimius Severus

Ancient Roman

159-138 BCE

Coin Portraying Emperor Septimius Severus by Ancient Roman

Medium

Bronze

Dimensions

Diam.: 1.9 cm (3/4 in.)

Classification

coin

Department

Arts of Greece, Rome, and Byzantium

Museum

Art Institute of Chicago

Accession Number

142765

Rights

Public Domain

Art Historical Context

This petite bronze coin, measuring just 1.9 cm in diameter, offers a glimpse into the power and propaganda of ancient Rome. Struck during the era associated with Emperor Septimius Severus (r. 193–211 CE), it features his portrait on the obverse, a common imperial motif designed to disseminate the ruler's image across the vast empire. Though dated here to 159–138—a period predating Severus, likely reflecting minting conventions or data variance—the coin embodies the artistry of Roman numismatics from the late second to early third century CE. Roman bronze coins like this were not mere currency but masterful tools of statecraft. Produced via engraved dies and hammered strikes, they captured Severus's stern features with remarkable detail for such a tiny scale, blending Greek-influenced realism with imperial symbolism. Severus, a North African-born general who seized power amid civil war, used coinage to legitimize his Severan dynasty, often depicting victories or deities to evoke stability and divine favor. Housed in the Art Institute of Chicago's Arts of Greece, Rome, and Byzantium department, this artifact highlights how everyday money doubled as portable sculpture, bridging economics, politics, and art in antiquity. Visitors can marvel at its enduring luster, a testament to Rome's sophisticated minting techniques.

About the Artist

Ancient Roman

The artists attributed to "Ancient Roman" in museum collections represent the anonymous craftsmen who produced the vast output of sculpture, frescoes, mosaics, and reliefs defining Roman visual culture from the Republic (c. 509–27 BCE) to the late Empire (c. 395 CE). Individual identities remain elusive, as Roman makers were typically viewed as skilled tradesmen—often enslaved Greeks or provincial...

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