Artheon MuseumArtheonMuseum

Courtyard of House at no. 29, Rue de la Tannerie, Abbeville, Somme, France; said to be from the reign of François I

Courtyard of House at no. 29, Rue de la Tannerie, Abbeville, Somme, France; said to be from the reign of François I by Lewis John Wood

Medium

Watercolor

Dimensions

sheet: 19 1/8 x 13 5/8 in. (48.6 x 34.6 cm)

Classification

Drawings

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Rogers Fund, 1943

Accession Number

43.92

Rights

Public Domain

Tags

Human FiguresHousesCourtyards

Art Historical Context

This evocative watercolor by Lewis John Wood captures the intimate courtyard of a historic house at No. 29 Rue de la Tannerie in Abbeville, France. Created in 1865, the work depicts a Renaissance-era structure said to date from the reign of François I, whose rule in the early sixteenth century marked a flourishing of French architecture blending Gothic traditions with Italian influences. Small human figures animate the scene, suggesting everyday life within the weathered stone walls and timber framing typical of northern French towns. Wood’s precise handling of watercolor highlights the medium’s ability to convey both delicate architectural details and the subtle play of light across aged surfaces. The vertical format emphasizes the courtyard’s enclosed, almost secretive quality, inviting viewers to imagine the layers of history embedded in its walls. Acquired by the Metropolitan Museum through the Rogers Fund in 1943, the drawing preserves a visual record of a building that reflects France’s rich vernacular heritage. Today, it offers visitors a glimpse into how nineteenth-century artists documented and celebrated Europe’s architectural past.

About the Artist

Lewis John Wood · 1813–1901

Lewis John Wood (1813–1901) was a British landscape and architectural painter who worked primarily in oil and watercolour, as well as a lithographer. Born in London, he began exhibiting his work as early as 1831 and quickly established himself as a specialist in detailed views of buildings and townscapes. From 1836 onward, he focused much of his attention on scenes from northern France and Belgium...

    Send Feedback

    We use this only to reply to your feedback.