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Denarius (Coin) Portraying Emperor Caracalla

Denarius (Coin) Portraying Emperor Caracalla by Ancient Roman

Medium

Silver

Dimensions

Diam.: 2 cm (13/16 in.)

Classification

coin

Department

Arts of Greece, Rome, and Byzantium

Museum

Art Institute of Chicago

Accession Number

10044

Rights

Public Domain

About this artwork

The front of this coin portrays the emperor Caracalla, facing right. On the back, the goddess Victory is depicted holding a wreath.

Art Historical Context

Step into the world of Rome with this exquisite silverarius, struck between 201 and CE, portraying the young Emperoracalla. Measuring just 2 cm diameter, this tiny treasure the Severan dynasty captures Caracalla—then Caesar Marcus Aurelius Antoninus—likely in a classic laureate portrait on the obverse, a hallmark of imperial coinage Minted during the reign of his father, Septimius Severus, it exemplifies the Roman Empire's mastery of numismatic art. Denarii like this were more than currency; they were tools of propaganda disseminating the emperor's image across the vast empire from Britain to Egypt. Caracalla's early coins reflect the turbulent transition from the Antonine era to the militaristic Severans, foreshadowing his own ruthless rule after 211 CE. The silver medium, alloyed for durability, allowed for intricate details achieved through die-striking techniques—hammering a blank flan between engraved obverse and reverse dies—producing high-relief portraits that rival sculpture in realism. Housed in the Art Institute of Chicago's Department of Arts of Greece, Rome, and Byzantium, this coin offers a tangible link to daily Roman life, trade, and power. It reminds us how art permeated even the smallest objects, blending artistry with authority in an era of empire-building.

About the Artist

Ancient Roman

The artists attributed to "Ancient Roman" in museum collections represent the anonymous craftsmen who produced the vast output of sculpture, frescoes, mosaics, and reliefs defining Roman visual culture from the Republic (c. 509–27 BCE) to the late Empire (c. 395 CE). Individual identities remain elusive, as Roman makers were typically viewed as skilled tradesmen—often enslaved Greeks or provincial...

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