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Design for a ceiling painted with putti in clouds with roses

Design for a ceiling painted with putti in clouds with roses by Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet

Medium

Oil on laid paper; mounted on wove paper

Classification

Drawings

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Dodge Fund, 1967

Accession Number

67.827.436

Rights

Public Domain

Tags

PuttiCeilingsClouds

Art Historical Context

In the lavish interiors of 19th-century Europe, ceiling designs like *Design for a Ceiling Painted with Putti in Clouds with Roses* captured the era's fascination with opulent decoration and classical revival. Created in the second half of the century by French artists Jules-Edmond-Charles Lachaise and Eugène-Pierre Gourdet, this preparatory drawing evokes the playful Baroque tradition of putti—those cherubic infants symbolizing love and joy—frolicking amid fluffy clouds and blooming roses. Such motifs drew from Renaissance and Rococo influences, adorning palaces and grand homes to create illusions of heavenly expanses overhead. Rendered in oil on laid paper and mounted on wove paper, the work showcases a virtuoso technique blending the fluidity of oil with the intimacy of drawing. This medium allowed for vibrant color and texture in preliminary studies, essential for architects and decorators planning monumental frescoes. Classified among the Metropolitan Museum of Art's Drawings and Prints, it highlights the collaborative spirit of 19th-century design workshops, where sketches like this bridged imagination and execution. Today, this delicate piece invites us to ponder the artistry behind unseen grandeur, reminding visitors of how fleeting ideas on paper once transformed ceilings into ethereal skies. (198 words)

About the Artist

Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet · 1897–1897

Jules-Edmond-Charles Lachaise, born Jules Lachaise on September 2, 1836, in Paris, emerged as a prominent French painter and draughtsman specializing in lavish interior decorations during the Second Empire and beyond. Little is known about his early life and formal training, though he married Berthe Gourdet in 1866, forging a close professional partnership with her brother, the decorator Eugène-Pi...

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