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Design for a Decorated Base of a Candlestick Holder

Giulio Romano

early 16th century

Design for a Decorated Base of a Candlestick Holder by Giulio Romano

Medium

Pen and brown ink, brush and brown wash. Design silhouetted

Dimensions

sheet: 2 13/16 x 5 7/8 in. (7.1 x 15 cm)

Classification

Drawings|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949

Accession Number

49.50.199

Rights

Public Domain

Tags

Candlesticks

Art Historical Context

This delicate design for the base of a candlestick holder, created by Giulio Romano in the early sixteenth century, offers a fascinating glimpse into the ornamental imagination of the Renaissance. Giulio, a leading figure in the Mannerist movement and former assistant to Raphael, brought a sculptural sensibility to his architectural and decorative projects. Here, the artist envisions an elaborate base adorned with intricate motifs, transforming a functional object into a work of art that would have graced the tables or altars of noble patrons. Executed in pen and brown ink with brush and brown wash, the drawing’s silhouetted form highlights the careful attention paid to outline and shadow, allowing the design to stand out vividly against the paper. Such preparatory studies were essential tools for artists and craftsmen, bridging the gap between two-dimensional ideas and three-dimensional metalwork or carved objects. Today housed in the Metropolitan Museum of Art’s Department of Drawings and Prints, this small sheet—measuring just over five inches wide—reminds us how even the most utilitarian items could embody the period’s pursuit of beauty and refinement.

About the Artist

Giulio Romano · 1499–1546

Giulio Romano (c. 1499–1546) was the most gifted pupil of Raphael and one of the founding figures of Mannerism, the style that succeeded the High Renaissance in Italy. Born Giulio Pippi in Rome, he entered Raphael's workshop as a boy and proved so talented that by the time of Raphael's death in 1520 he was effectively running the studio and overseeing the completion of major unfinished commissions...

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