Design for an Alter with Saint Michael and the Dragon

Art Historical Context

Johann Baptist Modler's *Design for an Altar with Michael and the Dragon*ca. 1715–74) the dramatic fervor of Baroque religious art. This preparatory drawing depicts the archangel Saint Michael triumphantly battling the dragon, a timeless symbol of good conquering evil, often featured in church altars to inspire devotion. Surrounding figures, including men and playful Cupid-like putti, add dynamic energy, evoking the heavenly drama central to Catholic iconography during the early 18th century. in pen and black ink with subtle touches of brown, alongside brush-applied gray wash and hints of pink, the sheet measures 18⅞ × 13⅖ inches. These techniques—precise linework for architectural details and washes for tonal depth—were hallmarks of draftsmanship for altarpiece designs, allowing artists like Modler to refine compositions before sculptural or painted execution. Such works bridged planning and grandeur, essential for ecclesiastical commissions in the Baroque era. Acquired by The Metropolitan Museum of Art in 1967 through the Whittelsey Fund, this drawing exemplifies the intricate preparatory processes of period artists, offering visitors a glimpse into the creative vision behind opulent sacred spaces. Its survival highlights the enduring appeal of Saint Michael's valor in art history.