Related Artworks
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Design for a Rapier Hilt and Scabbard Chape
1555
Plate Four from Nouveavx Desseins D'Arquebvseries
ca. 1730
Plate Two from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie
ca. 1660
Plate One from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie
ca. 1660
Plate Six from Nouveavx Desseins D’Arquebvseries
dated 1749
Plate Five from Nouveavx Desseins D'Arquebvseries
dated 1730
Plate Seven from Nouveavx Desseins D'Arquebvseries
ca. 1730
Plate Eight from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie
ca. 1660
Plate Eight from Nouveavx Desseins D'Arquebvseries
dated 1743
Plate Eight from Nouveavx Desseins D'Arquebvseries
dated 1743
Plate Seven from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie
ca. 1660
Design for a Sword-belt, Knife, and Stylus
ca. 1555
More by Claude Gillot
Explore other works by this artist
Four Actors in Heroic Costume, with a Study of a Helmeted Head
ca. 1711–22
Plate for The Fish and the Fireworks, Fable Sixteen, in Fables Nouvelles, Dediées au Roy
1719
The Education (L'Education): in a forest, to right an old satyr instructor holding a wand, teaching a group of children, to the left a merchant of orvietan trying to attract spectators with his act, from 'The lives of satyrs' (La vie des satyres)
ca. 1700–1720
Habit de Faune: a faun wearing a tonnelet with a flute attached, a cane in his right hand and vines around his horns, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
ca. 1721
Habit d'Ixion: a man wearing a tonnelet with a sword in the belt, a turban with one large feather on his head, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
ca. 1721
Habit de Roy: a man wearing a tonnelet decorated with rosettes, a crown and a turban with feathers on his head, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
ca. 1721
Plate 46: Habit de Folie: a woman in a ballet pose, wearing a bonnet and holding a marotte in her right hand, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
ca. 1721
The festival of Diana, interrupted by satyrs (Feste de Diane, troublée par des Satyres): nymphs gathered around the bust of Diana in a stone niche at center, surprised by the arrival of satyrs from either side, from 'Les Bacchanales; Quatres Festes'
ca. 1786
Witches' Sabbath, within a nocturnal landscape, a necromancer seated at top center wearing a robe and cap inscribed with Kabbalist symbols, below him to left a horse with the head of a beast, a ring of nude dancers to right, a robed with the head of a pig to left, various witches, sorcerers, strange animals, and monsters on the ground to left in the foreground, from 'The Sabbaths' (Les Sabbats)
ca. 1700–1720
The Birth (La Naissance): in a forest, the new mother resting in a hammock at center, the newborn below her to left, various satyrs and goats surrounding, from 'The lives of satyrs' (La vie des satyres)
ca. 1700–1720
The Marriage (Le Mariage): in a forest, an old satyr marries the betrothed in center, musicians to right, old satyrs with canes to the left, a couple consulting an old philosopher to left in the foreground, from 'The lives of satyrs' (La vie des satyres)
ca. 1700–1720
The Funeral (Les Obseques): various satyrs gathered in a clearing, funeral pyre to left, a freshly dug grave and a tomb decorated with satyr heads and antlers in center, upon which musicians are seated, from 'The lives of satyrs' (La vie des satyres)
ca. 1700–1720