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Designs for Two Candelabras

Designs for Two Candelabras by Anonymous, French, 19th century

Medium

Pen and brown ink

Dimensions

a: 9 3/4 x 5 3/16 in. (24.8 x 13.2 cm) Left b: 9 5/8 x 5 5/16 in. (24.5 x 13.5 cm) Right

Classification

Drawings

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Rogers Fund, 1966

Accession Number

66.631.88

Rights

Public Domain

Tags

Candelabra

Art Historical Context

These delicate pen and brown ink drawings from 19th-century France present two elegant designs for candelabras, multi-branched candle holders that illuminated and adorned homes during the period. Created by an anonymous French artist, the works capture the graceful proportions and ornamental details of these objects, with the left sheet measuring 9 3/4 by 5 3/16 inches and the right slightly varying in dimension. Such preparatory sketches were essential in the design process, allowing artisans to refine ideas before translating them into metalwork or other materials. In 19th-century France, candelabras reflected the era’s taste for refined interiors, blending functionality with decorative flourish amid shifting styles from neoclassical restraint to more elaborate forms. The medium of pen and brown ink lends itself to precise linework and subtle shading, highlighting the sculptural qualities of the proposed forms while remaining practical for studio use. These drawings thus preserve a behind-the-scenes view of how everyday luxury objects were conceived. Acquired by the Metropolitan Museum of Art through the Rogers Fund in 1966, the sheets now reside in the Department of Drawings and Prints, offering visitors insight into the anonymous craftsmanship that shaped French decorative arts.

About the Artist

Anonymous, French, 19th century · 1800–1900

**Anonymous, French, 19th Century (ca. 1800–1900)** The artist cataloged as Anonymous, French, 19th century embodies the enigmatic yet essential contributions of unidentified creators to France's vibrant 19th-century art world. Active roughly between 1800 and 1900, this figure—or potentially collective workshop—produced a diverse array of works amid the nation's transition from Neoclassicism thro...

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