Don Quixote and the Dead Mule
after 1864
Medium
Oil on wood
Dimensions
9 3/4 x 18 1/8 in. (24.8 x 46 cm)
Classification
Paintings
Department
European Paintings
Museum
Metropolitan Museum of Art, New York, NY
Credit
Catharine Lorillard Wolfe Collection, Wolfe Fund, 1909
Accession Number
09.198
Rights
Public Domain
Tags
Art Historical Context
Honoré Daumier’s *Don Quixote and the Dead Mule*, painted after 1864, captures a poignant moment from Miguel de Cervantes’ iconic novel. This small oil on wood panel (9 3/4 x 18 1/8 in.) depicts the delusional knight-errant alongside his loyal steed, Rocinante, and a fallen mule, evoking themes of adventure, mishap, and human folly. Daumier, a master of French Realism, infused the scene with his signature empathy for the underdog, portraying Don Quixote not as a caricature but as a tragicomic figure. Created late in Daumier’s career—he was nearly blind by then—this intimate work exemplifies his shift to compact oil sketches on wood, allowing bold, expressive brushwork despite his failing eyesight. A prolific illustrator who produced over 100 lithographs inspired by Cervantes, Daumier revisited Don Quixote repeatedly, blending satire with profound humanism. The painting’s raw energy and dramatic composition highlight animals and men in a moment of quiet despair, reflecting 19th-century Romantic fascination with literary heroes. Housed in the Metropolitan Museum of Art’s European Paintings department (Catharine Lorillard Wolfe Collection, 1909), this piece invites visitors to ponder the blurred line between dreams and reality, much like Cervantes’ timeless tale. Daumier’s interpretation remains a testament to his enduring wit and compassion.
About the Artist
Honoré Daumier · 1810–1879
Honoré-Victorin Daumier (1808-1879) was a prolific French printmaker, caricaturist, painter, and sculptor whose works offered incisive commentary on the social and political life of 19th-century France. Known as the 'Michelangelo of Caricature,' Daumier produced over 4,000 lithographs, 500 paintings, 1,000 drawings, and 100 sculptures during his lifetime. His biting political satire led to his imp...