Emilie-Louise Delabigne (1848–1910), Called Valtesse de la Bigne

Emilie-Louise Delabigne (1848–1910), Called Valtesse de la Bigne by Edouard Manet

Medium

Pastel on canvas

Dimensions

21 3/4 x 14 in. (55.2 x 35.6 cm)

Classification

Drawings

Department

European Paintings

Museum

Metropolitan Museum of Art, New York, NY

Credit

H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929

Accession Number

29.100.561

Tags

PortraitsWomen

Art Historical Context

In 1879, Édouard Manet, a French artist who bridged Realism and Impressionism, created intimate portrait of Emilieouise Delabigne, known as Valtesse de la Bigne (1848–1910). A celebrated courtesan of Second Empire Paris, Valtesse embodied the glamour and notoriety of the demi-monde, mingling with artists, writers, and elites. She later inspired Émile Zola's fictional character Nana, symbolizing the era's fascination with bold, independent women amid the opulent Belle Époque. Rendered in pastel on canvas—a medium Manet favored for its luminous, velvety textures—this small-scale work (21¾ × 14 ...

About the Artist

Edouard Manet · 18321883

Édouard Manet (1832-1883) was a French painter who played a pivotal role in the transition from Realism to Impressionism, often called the 'Father of Modern Art.' Born into a wealthy Parisian family, Manet defied his father's wishes for a legal career to pursue painting, studying under academic artist Thomas Couture. His revolutionary works 'Le Déjeuner sur l'herbe' and 'Olympia' (both 1863) scand...

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