Expulsion from Paradise

Art Historical Context

Etienne Delaune's *Expulsion from Paradise*, between 1540 and 1583, captures the dramatic biblical moment when Adam and Eve are cast out of the Garden of Eden by a stern angel. This intimate etching, measuring just 3 1/8 × 4 3/16 inches, exemplifies the French artist's mastery of small-scale printmaking during the Mannerist period. Delaune, a versatile goldsmith and engraver influenced by the Fontainebleau School, infused his works with elegant, elongated figures and intricate details reminiscent of Italian masters like Rosso Fiorentino. As a first-state etching—a rare, unaltered proof before later refinements—this print highlights Delaune's innovative use of the etching technique, which allowed for fluid lines and tonal subtlety compared to traditional engraving. Produced in an era when prints democratized art, it served both devotional and artistic purposes, circulating biblical narratives among Europe's elite and scholars. Housed in the Metropolitan Museum of Art's Drawings and Prints department through the 2011 bequest of Phyllis Massar, this gem reflects 16th-century fascination with humanity's fall and redemption, blending spiritual gravity with Mannerist grace. Visitors will appreciate its exquisite craftsmanship, a window into Renaissance print culture.

About the Artist

Etienne Delaune · 1514–1583

Comment on works: Draftsman; Engraver; Medalist