The Rich Man Being Carried Away by the Devil
after 1554
Medium
engraving
Classification
Department
CG-E
Museum
National Gallery of Art, Washington, D.C.
Credit
Rosenwald Collection
Accession Number
1943.3.233
Rights
Public Domain
Art Historical Context
### The Rich Man Being Car Away by the Devil striking engraving, created after the design of Heinrich Aldegrever around 1554 or later, captures a dramatic moment from the biblical parable of the Rich Man Lazarus (Luke 1619-31). In the scene, a wealthy figure is seized by a menacing devil,izing the consequences of earthly greed and neglect of the poor. Aldegver, a leading German engraver of the Northern Renaissance and one of the "Little Masters was renowned for his intricate small-scale prints that blended moral allegory with meticulous detail. Engraving as a medium was revolutionary in the 16th century, allowing artists like Aldegrever to produce affordable, widely distributable images that brought religious lessons to everyday audiences. This technique involved incising fine lines into a copper plate, inking it, and pressing paper to create sharp, tonal contrasts—perfect for conveying the torment and horror here. Part of the National Gallery of Art's Rosenwald Collection, it reflects the era's fascination with death, judgment, and salvation. Today, this print serves as a vivid reminder of Renaissance moralism, urging viewers to reflect on compassion amid prosperity. Its survival in the museum's Print department highlights engraving's role in preserving cultural sermons for generations. (198 words)