Fence

Art Historical Context

**Fence** (1913) by Solon H. Borglum is compelling drawing from the Smithsonian American Museum's collection, gifted by Mr. and Mrs. A. Mervyn Davies. Borglum, a prominent American sculptor (18681922) and brother to Mount Rushmore creator Gutzon Borglum, was renowned for his realistic depictions of Western life, equestrian figures, and historical subjects. This work, classified as a drawing, likely served as a preparatory study, showcasing his skill in capturing form and detail on paper—a medium that allowed sculptors like him to refine compositions before committing to bronze or stone. The title and tags—fence, spear, soldier—evoke a scene of tension and defense, possibly alluding to military motifs or frontier barriers in the early 20th century. Created just before World War I, it reflects an era when America grappled with its expanding role on the global stage, blending everyday objects like fences with symbols of conflict such as spears and soldiers. Borglum's realistic style shines through, emphasizing line and shadow to convey texture and narrative depth. Housed in the Smithsonian's esteemed collection, *Fence* offers visitors a window into Borglum's creative process and the cultural shifts of 1913 America. A subtle yet poignant piece, it invites reflection on boundaries—literal and metaphorical—in art and history.