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Folding Shrine with Virgin and Child

Unknown Artist

ca. 1340–50

Folding Shrine with Virgin and Child by Unknown Artist

Medium

Elephant ivory with metal mounts

Dimensions

Overall (open): 11 x 6 3/16 x 2 1/16 in. (27.9 x 15.7 x 5.3 cm) Overall (Closed): 11 x 2 11/16 x 2 in. (27.9 x 6.9 x 5.1 cm) Central element without base and finials: 6 15/16 x 2 1/8 x 1 1/2 in. (17.7 x 5.4 x 3.8 cm) Inner wings L & R: 6 7/16 x 1 1/16 x 1/4 in. (16.3 x 2.7 x 0.6 cm) Outer wings L & R: 6 9/16 x 1 x 1/4 in. (16.7 x 2.6 x 0.6 cm) Base: 1 5/8 x 2 1/16 x 2 3/4 in. (4.1 x 5.3 x 7 cm)

Classification

Ivories-Elephant

Culture

French

Department

Medieval Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915

Accession Number

30.95.115

Rights

Public Domain

Tags

ChristVirgin MaryTabernacles

Art Historical Context

This exquisite *Folding Shrine with Virgin and Child*, crafted France around 1340–50, exemplifies the refined artistry of medieval ivory carving. Made from elephant ivory with metal mounts, this portable object opens to reveal a central figure of the Virgin Mary holding the Christ Child, flanked by hinged wings that likely depict attendant saints or angels. When closed, it compacts neatly for travel, measuring just 11 x 2 11/16 inches, transforming into a protective tabernacle-like container—a clever design suited for pilgrims or private prayer. Ivory was a luxurious medium in the Gothic era, prized for its smooth, luminous quality that allowed carvers to achieve intricate details and a lifelike softness in the figures' drapery and expressions. The metal mounts added durability and perhaps gilded accents, enhancing its sacred aura. Such shrines were personal treasures for the devout, bridging the divine and everyday life during a time when devotion to the Virgin was central to Christian piety. Housed in the Metropolitan Museum of Art's Medieval Art collection (Theodore M. Davis Collection, 1915), this anonymous masterpiece invites us to ponder the faith and skill of 14th-century artisans, offering a window into a world where art and spirituality intertwined seamlessly.

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