From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36)

From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) by Joseph Mallord William Turner|Joseph Mallord William Turner|Thomas Hodgetts

Medium

Etching and mezzotint; first state of four

Dimensions

plate: 7 3/16 x 10 3/8 in. (18.3 x 26.4 cm) sheet: 8 1/4 x 11 7/16 in. (21 x 29.1 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1928

Accession Number

28.97.36

Tags

BirdsMountainsLeavesTrees

Art Historical Context

This etching and mezzotint print, created by J.M.W. Turner in with engraver Thomas Hodgetts, forms plate 36 of the artist’s ambitious *Liber Studiorum* series, published in June 1811. Inspired by Edmund Spenser’s epic poem *The Faerie Queene*, the work captures a lush, mountainous landscape animated by birds and dense foliage. Turner conceived the *Liber* as both a teaching tool and a showcase for landscape art, organizing its images into categories that celebrated nature’s moods and forms. Executed in the first state of four, the print demonstrates Turner’s masterful use of etching for delic...

About the Artist

Joseph Mallord William Turner|Joseph Mallord William Turner|Thomas Hodgetts · 17751851

Joseph Mallord William Turner, born on 23 April 1775 in London's Covent Garden to barber William Turner and Mary Marshall, emerged as a child prodigy amid personal hardships. His mother suffered mental illness and died in Bethlem Hospital in 1804, while his father supported his early sketches by displaying them in his shop. Around age 10, Turner stayed with his uncle Joseph Mallord William Marshal...

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