Frontispiece, from Suite de Figures Chinoises. . . Tiré du Cabinet de Mr. d'Azaincourt (Series of Chinoiserie Figures. . .From the Chambers of Mr. d'Azaincourt)

Frontispiece, from Suite de Figures Chinoises. . . Tiré du Cabinet de Mr. d'Azaincourt (Series of Chinoiserie Figures. . .From the Chambers of Mr. d'Azaincourt) by Gilles Demarteau|Jean Pierre Louis Laurent Hoüel|François Boucher

Medium

Etching and engraving

Dimensions

Sheet: 8 1/4 × 5 13/16 in. (21 × 14.8 cm)

Classification

Prints|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1953

Accession Number

53.600.1017(1)

Art Historical Context

Welcome to the enchanting world of 18th Chinoiserie at the Metropolitan Museum of Art! ThisFrontispiece* from the *Suite de Figures Chino... Tiré du Cabinet de. d'Azaincourt* (Series of Chinoiserie... From the Chambers of Mr.'Azaincourt), between 1755 and1776, serves as the elegant introduction to a suite of decorative prints. Attributed to François Boucher, the famed Rococo master known for lavish, playful designs, alongside engravers Gilles Demarteau and Jean Pierre Louis Laurent Hoüel, it exemplifies the era's fascination with imagined Chinese motifs blended into European luxury. Printed i...

About the Artist

Gilles Demarteau|Jean Pierre Louis Laurent Hoüel|François Boucher · 17291776

Gilles Demarteau the Elder, born on January 19, 1722, in Liège, began his career steeped in the craft of metalwork. The son of a gunsmith, he learned engraving and goldsmithing from his father before moving to Paris around 1748–1750 to join his brother, who worked as a goldsmith for the engraver De Lacollombe, renowned for firearm ornament designs. Demarteau trained in De Lacollombe's workshop as ...

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